Self Portrait Post Mortem
Overview
An unearthed time capsule consisting of footage of the maker's youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.
Release date
05/11/2002
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Original Soundtrack
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The War Room
Horns and Halos
Vive La France
Kate and Anna McGarrigle
The Execution of Wanda Jean
Being a Tourist at Home
Yulu
Loretta Lynn: My Story In My Words
Happy Birthday to a Beautiful Woman
Fabulous! The Story of Queer Cinema
No Service
Burlesque Undressed
Mundurukuyü – The Forest of the Fish Women
Um Olhar Inquieto: O Cinema de Jorge Bodanzky
Misidentified
Paid in Blood
idizwadidiz
Baa Baa Land
Labirint
Divan