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Hamnet

Hamnet

★ 7,7 /10 (1,745 Votes)
2025 EN 125 min

Overview

The powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, Hamlet.

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Release date

26/11/2025

Votes

1,745

Popularity

9.5

Keep your heart open.

Genres

Status

Released

Language

EN

Runtime

125 min

Budget

$35,000,000

Revenue

$107,756,183

Original Soundtrack

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M

Manuel São Bento

2025-10-13

⭐ 8

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/hamnet-review/ "Hamnet is a true work of art that, despite its slow march and some more challenging moments for the uninitiated, rewards perseverance. It's a film about how pain destroys, but also about the miracle of how art can serve as a vessel for redemption or, at least, for understanding. Chloé Zhao took an empty space in history — the life of a forgotten woman and the silence of a lost son — and filled it with an emotion that's, ultimately, a testament to the power of creation. It's proof that the greatest tragedy in literature …

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B

Brent Marchant

2025-11-18

⭐ 4

William Shakespeare is widely regarded as the greatest writer in the English language, though there’s some disagreement about whether he actually wrote the materials attributed to him. Even sketchier than this are some of the details about his personal life, aspects of his character that have been the subject of much conjecture, especially where they may have influenced his literary undertakings. And an examination of that nexus is where this latest offering from writer-director Chloé Zhao makes its appearance on the stage (or, in this case, the screen). Based on the best-selling speculative n…

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CinemaSerf

CinemaSerf

2025-12-11

⭐ 7

Maggie O’Farrell said at this screening that adapting her novel for the screen was akin to watching the sand flow through an hour glass. She started with something extensive, whittled it down to 90-odd pages and then gave it to a director (Chloé Zhao) who frilled it all out again to make a couple of hours for the screen that is somewhat different from the original. I reckon that’s the perfect way to describe just how this story of a part of Shakespeare's life comes across, and at last - I have seen something from Paul Mescal that isn’t just hype. He is the bard, before he was the bard. He taug…

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Horseface

Horseface

2026-03-08

⭐ 5

I was trying to order a cheeseburger, but the clerk couldn't hear me, because Carmina Burana was playing too loudly. Then the guy next to me started crying, because the final scene from Godfather III was playing on the scene next to the clerk. Then the woman on my other side starting crying, and the the clerk, too. Then Maggie laughed. She's such a little angel. Anyway, the clerk must've figured out what I was gesturing for, because I got my burger, with extra cheese.

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Sierbahnn

Sierbahnn

2026-06-15

⭐ 7

Atmospheric, heartwrenching, and dark. This is not 'Shakespeare in Love'. This is the tragedy of the bard, even though we know that historically he was not quite that good of a husband to his wife. The movie is more about the indominability of spirit of Anna and the sorrows she faced in her life, with her children, family, strife and death. The movie is beautiful, dark and soulcrushing, in a way. The casting is good, the direction outstanding and the presentation lovely. If you want to get emotionally devastated then this is for you.

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Marco-Hugo Landeta Vacas

Marco-Hugo Landeta Vacas

2026-10-18

⭐ 10

(CASTELLANO) Una tragedia íntima que acaba convirtiéndose en duelo compartido Me destrozó. Entré ya con algo ganado por Paul Mescal, desde Normal People y sobre todo Aftersun, pero lo que terminó atravesándome fue Agnes, Hamnet, la ausencia de William y esa idea brutal de que el dolor puede vivirse de formas incompatibles aunque nazca del mismo amor. Al principio ya se nota que no va a ser una película ligera. Agnes me dio una pena enorme desde muy pronto, porque todo parece caerle encima: los niños, el miedo, la soledad, la vida doméstica, la incertidumbre y un marido que está en Londres, l…

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B

badelf

2026-10-25

⭐ 6

**Summary: 6/10: gorgeously shot and anchored by a career-best Jessie Buckley, but a film about the origins of English's greatest writer that never finds its own language, and worse, the direction loses its way exactly when it should have trusted the silence.** There is a cruel irony in watching a film about the greatest wordsmith of the English language have dialogue with words that sound like a construction worker in twentieth century. I honestly wanted to love *"Hamnet"*. Chloé Zhao's *"The Rider"* remains one of the gentlest, most attentive films I know, a movie that watches wounde…

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